In A Lonely Place

In A Lonely Place

In A Lonely Place is one of the few films that nearly equals the novel upon which it was based. The novel of the same name, by Dorothy B. Hughes, is a masterpiece and quite daring for the time, the 1940s. Hughes compares quite favorably with James M. Cain (author of Mildred Pierce, Double Indemnity, The Postman Always Rings Twice) and in many ways surpasses him as a writer of noir. Her character development exceeds Cain's, in my opinion.

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Where To Start: Mysteries

I've decided to start a series of posts about where to start. This could be where to start almost anything--books, movies, collecting, clothing, style, food, etc.

I'm starting with a literary genre today:  Mystery

A few years back I took a short story workshop, and then last year took a mystery workshop taught by Kristine Kathryn Rusch (if you want to kickstart your writing, or want to be tossed into the deep end with writing, I highly recommend traveling to the Oregon coast and take one of Kris's, or her husband Dean Wesley Smith's writing workshops).

Why do I bring up the workshop? Well, apparently I had some notion that most mysteries were simply Agatha Christie cozies and hadn't given much thought to sub-genres.  There are many, many sub-genres.

So back to where to start: This is a broad overview of mysteries and ultimately, you're going to have to sample the sub-genres to determine what works for you as a reader. I loved cozies growing up, but now I enjoy hardboiled, noir, detective, and police procedurals more.

Cozy:  Cozy mysteries are usually not bloody or graphic and typically take place in more confined settings. They typically have an amateur detective working toward solving the crime with the occasional cameo by some sort of law enforcement - often they're of the bumbling or not-quite-with-it variety.

Cozies are a pretty popular sub-genre right now and they have a definite look to them on the shelf. Bright colors, titles that are puns, sometimes cats on the cover as well. Also, cozies are the shortest of the genres, so they're a quick and fun read.

But where should you start?  Go ahead and start with a Christie--any old Miss Marple will do, though on television and movies I'm partial to Hercule Poirot.  Try A Murder Is Announced:  A bunch of people are summoned to a house and someone is murdered right under everyone's noses.

Detective:   Detective stories can be private detectives/investigators or law enforcement detectives.  These range from light, near cozy style to dark mystery, noir and beyond--pretty much a catch-all category. These are not police procedurals --that is a separate sub-genre. These stories focus on the detective.  Honestly, even cozies fit into this category since many of them are using amateur detectives. TV version of the standard detective story would be: Magnum P.I. for example.

But where to start?  I'd say go for Michael Connelly and his Harry Bosch series, beginning with The Black Echo.  I'd characterize the series as a standard detective series that is squarely in the middle of the light to dark spectrum (cozy being light, noir being dark).

Police Procedural:  The main character works for the police, or is an attorney, or is a federal law enforcement officer, etc.  These stories focus on the procedures in solving a crime.

Hill Street Blues is a great TV example of the procedural--in fact, the series was based off Ed McBain's 87th Precinct novels which I'm going to recommend here. There were also plenty of TV movies based on these novels. But if you enjoy seeing how the justice system works or how police go about solving crimes, then procedurals are for you.

Where to start?  Ed McBain--he wrote a ton of books based around the fictional 87th Precinct. They are great reads and pretty fast.  You can start almost anywhere with them despite them having recurring characters. McBain wrote these from the mid 1950's all the way until around 2005--so, there's quite a bit of material there.

Hardboiled:  I think these are my favorites. Character driven and a lot of attitude. You feel the world, see everything from the character's point of view. The main character is cynical, but has a moral code.  The world the character inhabits is visceral, gritty, and typically urban.

There are modern examples of hardboiled, but I love the classics:  Raymond Chandler, Dashiell Hammett, and Mickey Spillane. If you enjoy tough, gritty guys slapping people around, but have a need to make things right, this is the genre for you.

Where to start? Here you could go with The Big SleepThe Maltese Falcon, or I, The Jury.  The movie versions of Sleep and Falcon are great since you get to watch Humphrey Bogart. For the Mickey Spillane I recommend Kiss Me Deadly. I wrote about the film here.

Noir:  I hadn't read too much noir before taking the Mystery Workshop. For the class we read The Ghosts Of Belfast by Stuart Neville. We were also assigned Fatherland by Robert Harris which I had read before. Fatherland  can also double as a detective genre as well as alternate history. Ghosts is straight noir. If you enjoy dark, hopeless stories and people who are really screwed up, and everything sucks, well--maybe you should seek counseling.  These aren't light books, or light reading: be prepared for an ending that isn't likely to be pretty.

Where to start?  For really dark, try The Ghosts of Belfast. If you prefer a little detective and alternate history involving Nazis then try Fatherland.  Batman can be noir by the way and science fiction has quite a bit of noir.

There is another type of crime novel--which is really what the mystery genre should be called by the way.  Thriller.  I'm not going to get into this sub-genre since it's really the least pure of the crime novels.  Though, I do enjoy a good heist movie or novel--but heists aren't always Thrillers since they can be paced slower and thrillers are definitely quickly paced with hardly a rest.

Hopefully this was a decent primer on reading the various genres of mystery--many thanks to Kris Rusch for teaching me what is required to be able to write in the sub-genres.

Moving Picture Monday: Kiss Me Deadly

I like to discuss film almost as much as I enjoy watching them. I (big shock) particularly enjoy classic movies, but future post won't be limited to old silent pictures and talkies.  ;) 

This is from Criterion's website:

Kiss Me Deadly

  • 1955
  • 106 minutes
  • Black and White 
  • "In this atomic adaptation of Mickey Spillane’s novel, directed by Robert Aldrich, the good manners of the 1950s are blown to smithereens. Ralph Meeker stars as snarling private dick Mike Hammer, whose decision one dark, lonely night to pick up a hitchhiking woman sends him down some terrifying byways. Brazen and bleak, Kiss Me Deadly is a film noir masterwork as well as an essential piece of cold war paranoia, and it features as nervy an ending as has ever been seen in American cinema."

    I re-watched Kiss Me Deadly last night. The film was based on the Mickey Spillane novel of the same name, only Spillane's is Kiss Me, Deadly. The comma is an important subtraction as it changes the meaning of the title. While watching an interview with Mickey Spillane, this was something that bothered him quite a bit (as it would any writer who had that comma in there for a reason). I believe that even when he first turned in the book, the comma was taken out by an editor.

    And as mentioned in Criterion's description, the movie (unlike the novel) is more about Cold War paranoia and hysteria. The movie can also be classified as science fiction, based on the addition of a mostly unexplained nuclear device that doubles as a type of Pandora's Box.

    I highly recommend picking up this Criterion release, which also includes some nice extras, including an alternate ending.  Criterion does an outstanding job on the transfers and sound, so I won't even go into that here. 

    Why do I love this movie? Well, I'm a big fan of classic detective and noir films.  This one goes beyond the familiar detective tropes. I particularly enjoy Ralph Meeker's take on Mike Hammer.

    Two scenes in particular I'll point out: 

    Hammer is being followed by a thug. The thug has a switchblade which Hammer hears being flicked open. He spins and disarms the thug and repeatedly pounds the man into a wall. Hammer walks away, but the thug gets up and Hammer tosses him down a long, long flight of stairs. Here is the best part:  Hammer watches the man roll down the steps with great interest and has the beginnings of a smile on his face. I love it. 

    Next:  He goes to a doctor's office looking for information. He pays the doctor, but being greedy, the doctor wants more. As the doctor goes to put an item Hammer wants in his desk drawer, Hammer slams the doctor's hand in the drawer, making him squeal. Hammer grins as he inflicts pain on the greedy doctor.

    There are more examples of this type of behavior, and despite his sadistic tendencies, I love the way Hammer is portrayed in this film. He's a badass in the novels, but in this film, it's another level. 

    It's a very bold movie for 1955. I think it holds up well today and is worth your time if you're at all interested in noir or private investigator films. Also, notice how people dress in this movie. Even though he can be quite the thug himself, Hammer knows how to dress himself.