If you prefer your science fiction (or film watching experience in general) spoon-fed to you, this film isn't for you. It's not even that surreal, certainly not in the same way as a Luis Buñuel or David Lynch film is surreal, but it is challenging.
Read MoreIn A Lonely Place is one of the few films that nearly equals the novel upon which it was based. The novel of the same name, by Dorothy B. Hughes, is a masterpiece and quite daring for the time, the 1940s. Hughes compares quite favorably with James M. Cain (author of Mildred Pierce, Double Indemnity, The Postman Always Rings Twice) and in many ways surpasses him as a writer of noir. Her character development exceeds Cain's, in my opinion.
Read MoreHave you ever wanted to see Jaws on the big screen? How about Gone With The Wind or Casablanca? How about Grease? Hitchcock films? Guess what? You can.
Read MoreI tell people at work they need to give the Marx Brothers a chance. However, I usually get the same responses from them: "Black and white movies are boring!" or "I don't get that sort of humor." or "Who are the Marx Brothers?"
Boring? Not the Marx Brothers. Not at all. And who are the Marx Brothers? Groucho? Harpo? Chico? Zeppo? Gummo? Okay, I'll give people Gummo and Zeppo (Gummo didn't appear in any of the films, but Zeppo appeared in all the Paramount films). But everyone should know Groucho, Chico, and Harpo.
Two of the Marx Brothers' films are in AFI's top 100 movies of all time: Duck Soup at #60 and A Night At The Opera at #85. They also have five of the top 100 comedies of all time according to AFI--not too shabby.
If you were interested in getting into the Marx Brothers, I recommend beginning with A Night At The Opera.
Why Opera and not Duck Soup, or Animal Crackers, or A Day At the Races? Or [insert any Marx Brothers film here]?
A Night At The Opera was their first film with MGM after the contract with Paramount ended. What most fans enjoy about the Paramount films is the anarchic chaos and when the brothers went over to MGM, Zeppo left (he was usually the straight man), leaving Groucho, Chico, and Harpo. Gummo never appeared in the films and never really developed an onstage persona like the rest of his brothers. It's my opinion that A Night At The Opera serves as a great way to bridge the gap between the anarchic Paramount films and the slightly less anarchic MGM films.
MGM wanted more of a plot and a story where the brothers were clearly against a villain, or at least an antagonist. In their earlier films, they were more ambiguously good and unpredictable. A Night At The Opera maintains much of their anarchic behavior, but also casts them as good guys trying to right some wrong. Opera has the brothers fighting high society and attempting to bring two young lovers together, which then brings chaos to an ocean liner as well as a production of the opera Il Trovatore in New York City.
A warning though: if you're actually going to watch the Marx Brothers--pay attention! You have to watch and listen to these films. The word play and the gags are almost non-stop and the results aren't always immediately apparent. If you look at the Three Stooges, they can be funny, but are more of a one-trick pony in that they rely mainly on slapstick (basically finding new ways to hurt each other), but the Marx Brothers have it all--slapstick, witty wordplay, and clever situations that allow for great gags (a packed stateroom aboard an ocean liner or a two bedroom apartment where they switch all the furniture right under the nose of a cop making him believe he's going mad).
Groucho's characters usually direct the chaos, but with sharp wit and occasionally breaking the 4th wall. He begins most of the films having a position of some sort or a person of standing, even if it's been entirely fabricated or it's a sham.
Chico's (pronounced Chick-O) characters are often a partner or friend of Harpo's characters. Chico usually has a scheme of some sort. Most of the films have a sequence where he plays the piano--he's very entertaining to watch play, as his fingers dance upon the keys in unusual ways--he'll make you laugh just watching him play. Chico and Groucho often have a long exchange (over a contract for instance), but from what I've read, they ad-libbed quite a bit during the routines one-upping each other.
Harpo's characters never speak (well, there was one time where he sang from inside a barrel, but it was brief), and he's the most unpredictable and chaotic of the three. His coat is packed with an odd array of items and he's often relieving people of their possessions and toying with them. Like Chico with the piano, Harpo is usually given a sequence where he plays the harp. His playing is magical and engaging--he doesn't play the harp in a way to make you laugh like Chico with the piano, but it's enjoyable and easy on the ears.
Start with A Night At The Opera, and if you enjoy that one, try A Day At The Races. If you're still curious and want more, I'd say go with Duck Soup. At this point, you've been warmed up to the Marx Brothers and will enjoy Duck Soup--it's also the final Paramount film and last film in which Zeppo appeared. Many fans of the brothers cite Duck Soup as their favorite (it's my second favorite, after Opera, of course).
What makes the Marx Brothers so special is the variety and range they display--they could do it all. Music, singing, dancing, wordplay, physical comedy were all a result of their stage careers as vaudeville performers. I can't think of anyone today who could pull off what the Marx Brothers did so effortlessly, and at a time when talkies were new and special effects didn't drive films. Modern comedies simply cannot stand up to the Marx Brothers at their best (maybe even at their worst).
There are a few collections out there, a Paramount set as well as an MGM set. Turner Classic Movies sells them as does Amazon and Barnes & Noble. You may even be able to stream them (since I own all the films I haven't investigated that option).
This is a movie I wish I'd seen earlier. It's one of those things that you wanted to see, but no one else you know saw it and you missed it in the theaters. And then I remember getting the DVD in the mail from Netflix and never watched it and sent it back after two months. And then once it was streamable, it sat in my streaming queue forever and so on until one day I was bored...
There is a set of graphic novels by Bryan Lee O'Malley out there that the film was based on, and to be honest, I've never read them, but now I may just have to do that. I don't know what it is about this flick, but I can watch it over and over--I even bought the soundtrack.
Okay, enough gushing without even providing reasons--and there are many. Based on the poster I wouldn't have given the movie a shot. So:
The poster looked kind of dumb to me and in no way can convey how cool the movie is. A kid with a red sword, a girl with goggles on her head and a bunch of demented freaks overhead. Based on the poster I would have thought this was a movie for kids, something like Spykids and that sort of rot. But this isn't that sort of movie.
Music has as much, if not more to do with the film than the video game angle to be honest. Scott Pilgrim is in a band. His ex-girlfriend is in a band that became popular and she broke Scott's heart. Scott sees a girl he becomes obsessed with and learns he has to defeat all of her evil exes before they can truly be together.
Scott's band, Sex Bob-omb plays a series of battle of the bands shows in order to get a contract. Along the way he fights all of these evil exes. The fights are video game style and over the top ridiculous, but a lot of fun to watch. Watching Michael Cera (Scott Pilgrim) go toe-to-toe with Chris Evans (the guy who plays Captain America) and then Brandon Routh (who played Superman in Superman Returns back in 2006) is amusing.
Scott is a bass player and plays a sweet Sunburst Rickenbacker bass (I own a tuxedo Rickenbacker bass from the 70s), so in the first 5 minutes of the movie I was already liking what I was seeing. And then the music hit: I love the music in this movie. There is a good mix of tunes and some that were written for the bands in the movie to play. The music has a mostly retro, overdriven feel to it. I believe Beck had a hand in writing some of the original music used in the movie. Other songs in the movie are from groups such as: Metric, The Bluetones, Black Lips, and T. Rex.
The special effects throughout the movie are fun--there are often overlays like when someone is introduced it typically shows their name, age, and what they do next to them. When a phone or bell rings it shows a ringing sound like: r-r-r-r-r-r-r-ring. When music is played sonic waves shoot forth and during fights there are some thuds and whacks reminiscent of the old 60s Batman television program. None of the effects detract or become distracting--they add to the film's charm.
So, if you're into music, video games, action, and comedy, give this movie a chance.
The Dashing Chap is the website for writer Alistair Kimble, wherein he discusses writing, classic style, and pop culture.
